u+n booking presents
Gia Margaret
Gia Margaret is on tour s i n g i n g
with Brendan Eder Ensemble
Sunday, May 3rd
Doors 6pm
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Withfriends member discounts do not apply, but Current Space Supporter and Benefactor level members ($10/month and $25/month memberships) can email currentspace@gmail.com for a free drink ticket – please take us up on it, we're grateful for your support!
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Every artist has to discover their voice. Gia Margaret didn’t find herself until she lost hers. With a vocal injury that kept her from singing for years, she developed other musical languages, mastering the grammar of an intricate, homey form of ambient music pioneered by Ernest Hood and perfected by The Books. Now, her physical voice healed and her artistic voice honed, she comes full circle with Singing, her first vocal album since 2018’s There’s Always Glimmer. Led by soft piano lines that fall like breath on glass, the music on Singing evidences the same jeweler’s sensitivity to detail that she developed in her silence.
“There was a time when I really didn’t know if I would sing again. So once I healed, there was a lot of internal pressure to come back strong,” Margaret says. “I didn’t know who I was anymore. So it felt like beginning again, and reconnecting with these very old, old parts of myself.” This feeling of intermixed alienation and rediscovery is palpable across the album. In opener “Everyone Around Me Dancing,” she watches a party from the wings, aware of how her body keeps her from communal joy while also providing new modes of self-knowledge. Shut out from the scene, she is “closer to the ground, the
planet.” In “Alive Inside,” she’s so far away from the source that she’s praying to whoever might hear (“a god, a friend that’s gone, a spirit”). As her voice rises, it seems to be trapped in a web of distortion; it’s as
if in her pursuit, she’s pushing at the very boundaries of what can be said.
The process of making Singing was one of learning how to trust each of those feelings. The album was partially recorded in London with Frou Frou’s Guy Sigsworth, who helped Margaret unify the spree of ideas she had for “Good Friend,” an album highlight that includes Gregorian chant by ILĀ and turntable scratches, among many other things. David Bazan and Amy Millan also make appearances, as do Kurt Vile and Sean Carey, while Margaret’s longtime collaborator Doug Saltzman plays on and co-produces much of the record. Deb Talan, previously of The Weepies, lends her voice, piano, and guitar to the album’s closing—and definitive—statement, “E-Motion.”Gia Margaret is always singing. Every note of this album sings a warm requiem to her past selves; every layer sings her future self into being. Across the album, she applies the lessons of speechlessness—the quasirational ways we communicate without communicating, the way formless sound can cut to the heart of things like a scalpel—to her own artistic voice.
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Outdoors at Current Space – Enter through the back at 421 Tyson Street
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Events at Current Space are rain or shine. Tickets are non-refundable.
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Accessibility and Parking Info: currentspace.com/visit
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Consider becoming a sustaining member of Current Space – membership starts at just $5/month! Supporters ($10/month) get half price advance tickets and Benefactors ($25/month) get free advance tickets.
Current Space is an artist-run gallery, studio, outdoor performance space, and garden bar; nourishing an ongoing dialogue between artists, activists, performers, designers, curators, and thinkers. Operating since November 2004, we are committed to showcasing, developing, and broadening the reach of artists locally and internationally.
Thank You
Programs at Current Space are made possible in part by supporting members like you, the Robert W. Deutsch Foundation, and William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Portfolios at BakerArtist.org.
