The Pleasure Garden: A Very Queer Historical Intro to the Art of Film
Back in the 1960s, when flowers had power, and you saved water by showering with a friend, and if it felt good, you did it, queer artists introduced experimental film to sights and sounds that had seldom been seen on the screen—or in respectable society. Before the Age of Aquarius ran headlong into the Age of Reagan, they had transformed filmmaking practice and subject matter, and helped redefine art, for commercial cinema as much as for museums and galleries. We’ll look at numerous excerpts to consider why experimentalism was so queer—and why queer filmmakers were so experimental.
***Part 1*** "Flaming Creatures" ***June 14th, 7pm***
***Part 2*** "Confessions" ***July 5th, 7pm***
Bernard Welt
, Professor Emeritus at the Corcoran School of the Arts and Design at The George Washington University (Washington DC), is the author of Mythomania: Fables, Fantasies, and Sheer Lies in American Popular Art and a contributor to several arts journals and catalogues. His particular area of interest is counter-realism in modern art: aesthetics of imagination, vision, and dreams. He is a widely published poet and has received a National Endowment for the Arts Fellowship in Writing and a Lambda Literary Award nomination.